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You spent six hours colour grading that campaign shot. Then it went through WhatsApp, a PowerPoint deck and a printer in Slough. Here's how the pixel-mangling sausage gets made — and how to stop it.
While Apple wants £400 and a shrug, Dave on the high street wants a fiver and a cuppa. We make the case for Britain's independent repair shops — the unsung heroes keeping creative kit (and creative budgets) alive.
With AI imagery flooding feeds and inboxes alike, UK photographers and photo editors are turning to credentials, watermarks and old-fashioned scepticism. But can provenance tech actually save commercial photography — or is everyone just learning to squint?